Poets & Patrons Critiquing Workshop: What We Can Learn about Writing Poetry from Shakespeare
April 23, 2016
Harold Washington Library, 400 S State Street, Room 6N (on the 3rd Floor)
This workshop will examine some passages from Shakespeare with an eye to what they can teach us about creative writing. How does Shakespeare construct his sentences? What kind of verbs does he choose? How does Shakespeare choose his metaphors? How often does he employ assonance or consonance or alliteration. What about parallelism and periodicity? These and other mysteries of creative composition will be explored. Poems submitted in advance will be critiqued by the workshop leaders.
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance or nature's changing course untrimm'd;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.
My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red;
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak, yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground:
And yet, by heaven, I think my love as rare
As any she belied with false compare.
~ William Shakespeare
Optional Workshop Assignment
The optional assignment is to write a poem inspired by or modeled on Shakespeare (such as a Shakespearean sonnet) or a poem about Shakespeare. As always, the assignment is optional – you can submit a different type of poem, and you can attend the meeting without submitting a poem. Email your poem (or two poems) to email@example.com by April 17 (put P & P in the subject line) or mail them to Wilda Morris, 499 Falcon Ridge Way, Bolingbrook IL 60440-2242, by April 15. If mailing, send a check for $5 per poem submitted ($10 for non-members), made out to Poets & Patrons. Or send $20 for 2016 membership and $5 with a poem for critique). If you email your poem(s), pay at the workshop. You may send a maximum of two poems for critique; the fee must be paid for each poem submitted, even if you do not attend the meeting because the poems are critiqued in advance (leader feedback will be mailed to you if you are unable to attend the meeting). E-mail questions (or late poems) to Wilda. If you do not get a reply to an e-mailed poem, call Wilda at 630/739-2983 to be sure your poem was received.
Bill Yarrow, Professor of English at Joliet Junior College and seven-time Pushcart Prize nominee, is the author of Blasphemer,Pointed Sen-tences, and four chapbooks. His poems have appeared in many print and online magazines such as Pirene's Fountain, Poetry Inte-rnational, RHINO, FRiGG, Altered Scale, Gargoyle, Iodine Poetry Journal, Fulcrum, and PANK. He is the co-author of Pointed Music, poems from Pointed Sentences set to original music by the Boston composer Ray Fahrner. Bill is featured in Derek Alger's Beginnings: How 14 Poets Got Their Start. His work also appears in the anthologies. He edits the online journal Blue Fifth Review.
Barbara L. Eaton was born and raised in the western suburbs of Chicago. She received B.A. and M.A.T.E. degrees from the University of Illinois at Urbana-Champaign, and M.A. and Ph.D. degrees from the University of Maryland at College Park. She published her first poem at the age of seven in The Chicago Tribune. Since then, she has published her work in various academic literary magazines. She now teaches part-time at Morton College, and serves as a dramaturg for the First Folio Shakespeare Company in Oak Brook, Illinois.
Poets & Patrons is a group of poets who encourage others to write and appreciate poetry. We meet in workshops four times a year and have started a series of meetings called Write! Chicago, where poets gather in a specific Chicago location and write afterwards.
Just a reminder to members: The fiscal year for Poets and Patrons is January 1-December 31, so it is time to pay your dues. Please send your check made out to Poets and Patrons to our treasurer, Beth Staas, at 1634 Barnsdale Rd. #105, La Grange Park, IL 60526. The membership form is available from the link above.
Looking to join us online? Poets and Patrons is on Facebook; please like us if you want to stay current on our events. We also have a blog at http://poetsandpatrons.blogspot.com/, and a website, of course, here at www.poetsandpatrons.net.
Each year, Poets & Patrons hosts four workshops, led by established poets, editors, and teachers from Illinois and surrounding states. The workshops are designed to increase skill in writing both traditional and non-traditional poetry. Unless otherwise noted, the workshops will be in room 6-N on the third floor of the Harold Washington Library, 400 S. State Street, Chicago, Illinois. Workshop participants are invited to join us for an optional lunch at the Panera at 501 State Street before each workshop in order to enjoy each others' company and talk about poetry generally. Members of Poets & Patrons who have published books are invited to display them for sale at any of our workshops and/or at the reading of the winning poems from the Chicagoland Poetry Contest.
The Chicagoland Poetry Contest is one of the longest-running literary traditions in Chicago. This competition allows both members, and non-members to compete in various categories. First, second, and third place contest winners will receive their awards by mail this year. A $10.00 entry fee is required of all entrants. Poetry editors and teachers from across the nation are selected each year to judge all entrants anonymously. Winners are posted at the bottom of the page.
2011 Contest Winners
2012 Contest Winners
2013 Contest Winners
2014 Contest Winners
2015 Contest Winners
We are pleased to provide a partial listing of book publications by our Members. We have also tried to indicate which books are still available and where you can obtain a copy. We hope to continually expand and promote this list as Members contact us with additional information. Click on the above link to learn more.
Our members are a diverse group, comprised of writers from widely varying backgrounds and ages. What unites us is a deep appreciation for poetry. In order to facilitate an open and non-exclusive environment, we keep our membership fees at a very reasonable level.
Membership entitles poets to hone their skills through interaction with like-minded people in both formal and informal sessions, including four workshops per year, notice of the annual Chicagoland Poetry Contest.
For further information, please contact us by sending a request for Membership to Beth Staas, Beth@staas.com. If you would like to join us, please fill out the following form: Membership Form. The cost of membership for 2016 is $20.
Poets & Patrons evolved from common desire to promote a meeting ground for poets and poet enthusiasts in the Chicago area. The Midwest Writers Conference previously filled the need with meetings and contests, but folded in the mid 1940s. Another poetry group, Poets Club of Chicago, was founded in 1936 by a group of high school teachers. Admission to Poets Club was by invitation and submission of poets' work. Members paid modest fees, held workshops and discussion sessions and shared a mutual love of poetry. At one point, Poets Club president Isabelle Gillespie Young, proposed a new club that would be open to all.
By 1954, Poets & Patrons was established. It was set up as a non-profit outreach group for poets who wished to receive professional criticism, with four workshops a year, held on the fourth Saturday in February, April, June and August. In 1956, Poets & Patrons created a Chicagoland Poetry Contest, open to all in the area. At one point there were 22 categories with awards and cash prizes.
Finding suitable meeting places was always a challenge for the group - libraries, a bank, the Cultural Center, Carson, Pirie, Scott - were discovered. Among the early meeting rooms was an unforgettable one offered by one of the group's founders, Anne Nolan. In the early 1950s, she offered space in the inner offices of her family's business, the Nolan Boiler and Tank Service. Members dubbed the group the Poetry Forge and Anne was the registered agent for 31 years. She was a highly skilled poet, as were her husband Clifford and her three sons. Her death in October 2006 greatly saddened Poets & Patrons members.
Sincere thanks and gratitude go to all members who have helped the group survive and flourish since 1954. The Court of awards held in 2006 marked the 50th celebration of The Chicagoland Poetry Contest. This event has become so important to this area's finest poets.
|Glenna Rose (Preston) Holloway (7 Feb 1928-4 Sep 2015), whose husband Robert died in 1997 was a well-known Chicago-area poet, beloved by many. She was the founder of the Illinois State Poetry Society and her work was widely published, even though she had spent her first career in interior design. In addition to poetry, she was a lapidary artist, silversmith, and painter. She also served as Illinois Senior Poet Laureate three times and won the Pushcart Prize (2001), The Milton Doorman award, the Heart Crane Memorial, an Illinois Art’s Council Fellowship (2005), Grand Prize, Founders Award, National Federation of State Poetry Societies (2006), the National League of American Pen Women Biennial (2006). She has one book, Never Far from Water: And Other Love Stories (2009). Her free-lance writing appeared in Chicago newspapers and many magazines.|
Margarete Cantrall (8 Apr 1921-19 Oct 2009) was born in Aurora, IL, and never lived so far from Chicago that she couldn't get there to see a play. She graduated from Northern Illinois University (B.A.) and the University of Illinois (M.A.). During the 1941-42 school year, she was state champion in extemporaneous speaking and debate. She taught English and American literature at Carroll College; University High School,Urbana, IL; and Northwestern Military and Naval Academy, Walworth, WS. For 27 years, she taught at North High School in Downers Grove, IL, where she chaired the English Department for 12 years and served two years as Assistant Principal. She designed the gifted program for the school, and sponsored a book club and student literary magazine. From 1987-2006, after her "retirement," she taught in the Older Adults Institute of the College of DuPage. Maggie, as her friends called her, held leadership positions in the Illinois State Poetry Society, Poets & Patrons of Chicago, the Jane Austen Society, American Association of University Women, Delta Kappa Gamma, and the Residents Council of Fairview Baptist Home.
Gertrude Rubin had Chicago roots. She studied at Northeastern Illinois University and received her MFA from the Writers' Program, University of Illinois at Chicago in 1978. She belonged to Women Mobilized for Change in the 1970s, was an activist, and wrote two poetry books: The Passover Poems, and A Beating of Wings. She belonged to the Poets' Club of Chicago and was president of Poets and Patrons. She had four of her poems on "Dial-A-Poem, Chicago" and was published in a number of anthologies, including the Anthology of Magazine Verse, 1985 and in many journals. In 1986, she won the Grand Prize in the Indiana State Poetry Contest, as well as many other awards. Gert helped organize group readings at Guild, Rizzoli's Bookstore, the Chicago Public Library Cultural Center, and the Chicago Historical Bookworks in Evanston. She performed her own readings in a number of settings. For at least two years, she did a series of readings at local nursing homes and senior citizen centers. For five years, she served as program convenor for disabled adults at the Mayer Kaplan Community Center.
Patricia Gangas (March 19, 1939-January 25, 2011) was a member of the Poets Club of Chicago and was the president of Poets and Patrons also in Chicago for nine years. She had three books of poetry published: All These Years, The Final Approach, These Places of Light. Her children's book Cats Everywhere was published in 2003. She authored a manuscript of mystical poetry called Gathering God, and a memoir titled How I Scared Cancer to Death: with God's help, neither of which has yet been published. Her hobbies were reading, attending college classes and playing Texas Hold'em. She was the wife of Thomas and mother of Peter and Valerie.
Officers and board members are listed below:
Chicago Poetry Blog
Haiku Society of America
Illinois State Poetry Society
Naperville Writers' Group
Wilda Morris' Poetry ChallengeWhisper From the Heart
|The 2009 Chicagoland Poetry Contest Award Winners|
|The 2008 Chicagoland Poetry Contest Award Winners|
Comments and questions on this website: lwallin at dwna.net